VOLCANOES
. . . all that Lucille Wong retains and materializes through her illumination does not stagnate on the surface. Rather, it speaks of stratification and vein, the telluric acknowledgement of the ravages of time, a clear testimony of an adult pupil who has evolved from bewilderment to brightness. / Alfonso Sánchez Arteche

Guilin. Montañas. 1983
Sol nuevo
Ciclo pictórico. 2000
Tiempo Abrasado. Xinantécatl
Exposición. Museo de Bellas Artes de Toluca, 1998
Xinantécatl: scorched time. My trip to seven volcanic enclaves. Lucille Wong
Santorini (584 m). Although the trip over the Aegean Sea was plagued by bad weather, it did not affect either the reason for or spirit of our journey. In fact, it was a celebratory voyage. Long-desired and for many other reasons, this trip meant visiting a land beloved for its art and culture . . .

Xinantécatl. Manantial de piedra. 2003

Ronco sol. 2004
The skin of memory. Alfonso Sánchez Arteche
With its violent eruptions, convulsions and pacification, life has a volcanic quality. Beginning with a series of sudden explosions, everything finally settles into a silent, crystallized layer at the mercy of erosion. These are the scars of time . . .

El volcán, la piedra y la luz. 2003
Citlaltépetl
Ciclo pictórico. 2010

Nocturno Divertimento No. 1. 2010

Citlaltépetl : Registro interior. 2010









