TIMELINE
painting cycle 2010 – 2011
CITLALTÉPETL
2010

Nocturno. Divertimento No.1, 2010

Visión del Citlaltépetl No. 4, 2010

Citlaltépetl.
Homenaje a Gerardo Murillo.
2010

Citlaltépetl, 2010

Lavanda, 2010
2010. Solo exhibition An unassailable light. Museum of Anthropology of Xalapa. As part of the cultural activity of the
Bicentenary of the Independence of Mexico.
· Retrospective exhibition Lucille Wong: Four decades of painting, at the Museo El Cuartel del Arte.
Pachuca, Hidalgo, Mexico. A catalogue with text of E. R. Blackaller is published.
2011. Solo exhibition Recent Work. Patricia Mendoza Gallery. Baja California.
· Exhibition Nudes, flowers, sceneries. Centro Cultural La paz. Baja California Sur, México.
2011

Destellos dorados, 2011

Homenaje a Turner No. 3, 2011

Volcán a la luz de la luna, 2011

La sombra, 2011

Viento solar, 2011
Owner of a personal accent (the pictures denounce her, do not need signature) and fundamental motives and interrogations, her work safeguards the essential astonishment of the human being: Each image is custody. On the subjects that mature in her paintings speak the titles, the designation and the sincerity of her great cycles: the embodiment of the stupor in front of the immense, the frightening rites of her religions, the superior force of the unexpected and the soft resplendence of the movements and disguises of water is called Guilin, Iguazú, Xinantécatl, Citlaltépetl…
E. R. Blackaller

DVD Inasible Light
Exhibition in the MAX, 2010

2 DVD Retrospective.
Four decades of painting. 2010
2010. Video on the individual Exhibition Inasible light presented in the Museum of Anthropology of Xalapa. Mexico.
A light inasible, 2010

Horizonte, 2011

Murmullos, 2011

Mar y brisa, 2011

Fulgor, 2011

Esplendor, 2011

Resplandor del sol, 2011

Rumor del viento, 2011

2012
Digital drawing Zen brush
THE LIGHT, THE TIME, THE FLEETING

Nube, 2012

Lluvia, 2012

Mariposa, 2012

Gota, 2012
2012. A permanent exhibition is inaugurated in Patricia Mendoza Gallery of San José del Cabo, BCS.
· The Cultural Center San Ángel invites her to take part in a collective exhibition together with most renowned artists who have had their ateliers in San Ángel, like Diego Rivera, Frida Kahlo and Leonardo Nierman among others.
· Publishes the book of digital drawings The light, the time, the fleeting.
· Begins a pictorial cycle about the Desert and the nature of the Baja California peninsula.

DVD Flowers, Landscapes and Nudes
Retrospective in BCS. 2012

Yegua de crin dorada, 2012

Caballo en azul, 2012

Caballo en dorado, 2012

Patio de jacarandas y duraznos, 2012
Flowers, landscapes and nudes. 2012
The dance of life, 2013

2013. Participates in the IX Biennale of Contemporary Art. In Firenze, Italy.
2013
painting cycle 2012 – 2017
BAJA CALIFORNIA. THE DESERT

Sol en La Giganta, 2013

Oasis, 2013

Finisterra, 2013

La danza del sol, 2013

La danza de la luna, 2013

Lirios blancos, 2013

painting cycle 2012 – 2017
BAJA CALIFORNIA. THE DESERT
2014

Dunas, 2014

Tres cirios, 2014

Isla espíritu santo, 2014

Rosas del desierto, 2014

Cielo rojo, 2014

Las tres vírgenes, 2014

Danza del principio y el fin, 2014

Diálogo del sol, 2014

La Giganta solar, 2014
2014. Collective exhibition: LE BIZ Lounge, Paris / Hall “The Guinguette”, Toutry, Burgundy. France.

2015
painting cycle
THIRTEEN MOMENTS OF LIGHT

Instante de luz No. 12, 2015

Instante de luz No. 4, 2015

Instante de luz No. 8, 2015
2015. Solo exhibition: The dance of life, Unit of Seminars Ignacio Chavez, UNAM
· She takes part in the collective Exhibition: Women in the art, UAEM
· Participates in the collective exhibition: The Landscape, a contemporary vision, Artemiza Gallery,
Ciudad Obregón, Sonora. Mexico.
2016. She integrates to the committee of directors of the AMCATH (Academia Mexicana de Ciencias, Artes, Tecnología y Humanidades), along with distinguished personalities of the National University, Mexico.

2016

Caballo blanco, 2016

Corcel y viento, 2016

Caballo dorado, 2016

Eclipse rojo 2016

Rosas rojas y flores, 2016

Árbol de Huanacaxtle, 2016

Viggé biaundo. Olivo, 2016
Behind the gaze there is the life, the memory and the remembrances; memory and remembrances are stored and configured since the artist is born (perhaps earlier) until the brush on the canvas is applied.
At that moment not only the individual memory works, but also the memory of the peoples and the times.
E. R. Blackaller

2017. The World Council of Visual Artists (COMAV) invites her to participate in International Collective Exhibition: World Day of Art.
· Exposes in the Congress of the AMCATH.
· The Niagara Falls History Museum invites her to take part in the Collective Exhibition: Water for life, to be celebrated in 2018.
El abismo
El abismo está ahí
preñado de silencio
un algo otro estremecedor
¿Cuál es el proceso?
¿Qué fuerza impulsa a crear?
Crear es un trabajo de vida, concebir un cosmos.
Y cuando se gesta la luz
como se gesta la criatura en el vientre materno,
no queda más que . . . nacer
Lucille Wong










